Art Print the Sacrament of the Last Supper by Salvador Dali at Artcom 11x14in
| The Sacrament of the Last Supper | |
|---|---|
 | |
| Creative person | Salvador Dalí |
| Twelvemonth | 1955 |
| Medium | Oil on canvas |
| Dimensions | 267 cm × 166.seven cm (105 in × 65.half dozen in) |
| Location | National Gallery of Art, Washington DC |
The Sacrament of the Last Supper is a painting by Salvador Dalí. Completed in 1955, after nine months of work, it remains ane of his nigh popular compositions. Since its arrival at the National Gallery of Art in Washington, D.C. in 1955, it replaced Renoir'southward A Girl with a Watering Tin as the most popular piece in the museum.
Background [edit]
The Sacrament of the Last Supper was completed during Dalí's post-World War II menses, which is characterized by his increased involvement in science, optical illusion and religion. During this time he became a devout Roman Catholic and simultaneously was astonished by the "atomic historic period". Dalí himself labelled this era in his piece of work "Nuclear Mysticism". He sought to combine traditional Christian iconography with images of disintegration. This is particularly apparent in his slice The Madonna of Port Lligat, which was completed half dozen years earlier.
The painting was non commissioned. After purchasing the Crucifixion and so giving it to the Metropolitan Museum of Art, collector and banker Chester Dale told Dalí he "had to do 1 more than religious picture". Dale believed that this picture was "as well important to keep for a few" and so donated it to the National Gallery.[1] In a paragraph in the National Gallery's curatorial file just missing from all published accounts, Dalí wrote of this moving-picture show:
The first Holy Communion on Globe is conceived every bit a sacred rite of the greatest happiness for humanity. This rite is expressed with plastic ways and not with literary ones. My ambition was to incorporate to Zurbarán's mystical realism the experimental creativeness of modern painting in my desire to make information technology classic.
—Salvador Dalí, quoted in Nora Hamerman, "A new expect at Dalí's Sacrament", Arlington Catholic Herald [2]
Description [edit]
The Sacrament of the Last Supper depicts thirteen figures gathered around a table. Assuming this painting is in line with traditional symbolism the figures are Christ and his 12 Apostles. Christ is the centre figure in the painting placed directly on the horizon line. Directly backside him on the intersection betoken of perspective rests the source of sunlight making the Christ figure the focus of the painting. He points upward directing the viewer'southward attention to a dominating transparent torso with artillery stretched outward spanning the width of the movie plane. The scene'south setting is within a transparent dodecahedron or twelve-sided space as perceived in the pentagon-shaped windowpanes behind the table. In the background is a familiar landscape of Catalonia, which Dalí has included in his paintings numerous times, 1 case being his famous painting The Persistence of Retention.
Symbolism and interpretations [edit]
The combination of a classic Christian theme with the jarring techniques of surrealism captures the eye, as Dalí was able to exercise repeatedly with such works as The Temptation of St. Anthony, Christ of Saint John of the Cantankerous, Crucifixion (Corpus Hypercubus), Nuclear Cantankerous, and The Ecumenical Council, among others. The dimensions of the painting are in the golden ratio,[3] every bit is the dodecahedron in the background. Dalí is quoted as saying that "the Communion must be symmetrical".[4]
There have been many interpretations of this painting, only some critics have dismissed the piece, with the Protestant theologian Paul Tillich even calling information technology "junk".[5] Michael Anthony Novak, a Catholic theologian, presented a paper on the subject of this piece in 2005.[six] He proposes that Dalí'southward intention was not simply to paint the event of the last supper. He later stated:
Dalí's truthful intention, which he has masterfully achieved on this canvas, is to remind us of what is occurring in every celebration of this mystery of bread and wine: that the worship here on Earth makes nowadays the realities of worship in Heaven.
—Novak, "Misunderstood Masterpiece"[vii]
Other critics, like Novak, say, by looking at the title, the focus is not placed on one evening 2 thousand years ago. The lack of individualization of the apostles, their lack of focus on Christ and the almost dematerialized Christ reaches beyond the fact of the outcome. Some say because Christ points to himself and the floating torso above him it could maybe be that he is referring to himself as already ascended to sky.[eight]
Come across likewise [edit]
- Final Supper in Christian art
Notes [edit]
- ^ "The Sacrament of the Last Supper".
- ^ Hamerman, Nora (Oct xiii, 2010). "A new await at Dali's Sacrament". Arlington Catholic Herald . Retrieved July 29, 2021.
- ^ Livio, Mario (Nov 1, 2002). "The gold ratio and aesthetics - plus.maths.org". plus.maths.org . Retrieved November 23, 2018.
- ^ Livio, Mario (2002). The Gilded Ratio: The Story of Phi, The Globe's Almost Amazing Number. New York: Broadway Books. p. 9. ISBN0-7679-0815-5.
- ^ Time, November nineteen, 1956, p. 46.
- ^ "Archived re-create" (PDF). ethicscenter.nd.edu. Archived from the original (PDF) on 11 June 2010. Retrieved 12 January 2022.
{{cite web}}: CS1 maint: archived re-create as championship (link) - ^ "Misunderstood Masterpiece: Salvador Dali'south 'The Sacrament of the Final Supper'". 5 November 2012.
- ^ http://www.trinitycollegechapel.com/media/filestore/sermons/BrownLastSupper250207.pdf[ bare URL PDF ]
Bibliography [edit]
- Hamerman, Nora. "A New Look at Dalí's "Sacrament". The Catholic Herald, (October xiii, 2010) accessed June 2, 2013
- Novak, Michael Anthony. "Misunderstood Masterpiece." America Magazine (November 5, 2012), accessed May 28, 2013
- Novak, Michael Anthony. "Salvador Dali'due south The Sacrament of the Concluding Supper: A Theological Re-Assessment." Conference newspaper, 2005, accessed March 27, 2015
- Brownish, David. "The Last Supper". A Sermon preached in Trinity College Chapel, Cambridge (Feb 25, 2007) accessed May 28,2013, http://www.trinitycollegechapel.com/media/filestore/sermons/BrownLastSupper250207.pdf.
External links [edit]
- National Gallery of Fine art, The Drove: The Sacrament of the Terminal Supper
- Epitome at Dali Gallery
- Theological assay of the imagery
Source: https://en.wikipedia.org/wiki/The_Sacrament_of_the_Last_Supper
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